In this case, there's nothing much to do other than set the synth's level and have a listen to it in solo, just to check that the synth's envelope settings aren't so fast that they create unwanted clicks. The simplest application is where you double your tune's bass line at the octave below using a simple sine‑wave synth patch. SOS contributor Mike Senior replies: Sub‑bass synth parts can operate in very different ways, so it's difficult to generalise. Should I use sine, square or triangle waves? How steep a filter should I use, and at what frequency should I set it? I've used sub‑bass synths with varying degrees of success, so I'd be interested in any handy hints. ![]() Do you have any pointers on making a great sub‑bass synth sound to underpin bass lines? It seems to be one of those things that's hard to get wrong but, at the same time, difficult to get bang on the money.
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